01 5 / 2013
“Tout en Haut du Monde” (Longway North)
French animated feature film project by Rémi Chayé
Pilot : http://vimeo.com/38442550oh my god oh my god oh my god
I KNOW RIGHT!??!?!
I remember blogging about this a few months ago- worth bringing back on the radar. 2D animation, still alive and well in Europe too!
(via gingerhaze)
01 5 / 2013
Here’s my 2nd year Calarts film!
OH MY GOSH, ACTUALLY THE MOST PRECIOUS THING IN THE UNIVERSE WOW
What a beautiful piece of animation!
(Source: vimeo.com)
18 4 / 2013
16 4 / 2013
14 4 / 2013
If you haven’t seen this short OVA (only 26 minutes!), watch it!! It’ll be worth it, I promise~! It’s such a great short. Very obviously Harry Potter-inspired with elements of RPG, and best of all, amazing animation and expression.
Daily sketch, done with Pilot black and silver (which turned out gray) brush-pen.
05 4 / 2013
1000reasonsnottostartmakingart:
One of my favourite pieces by Roger Ebert is his “Great Movies” appreciation of Spirited Away (read it in full here). At the end of the piece he details an encounter he had with Hayao Miyazaki himself, where Miyazaki defines one of the key differences between the work of Studio Ghibli and mainstream American animation. I can see his words relating to comics as well, and these words are well-worth reading for any creative and parent.
Here is the excerpt from Ebert’s piece:
I was so fortunate to meet Miyazaki at the 2002 Toronto film festival. I told him I love the “gratuitous motion” in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or sigh, or gaze at a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.
“We have a word for that in Japanese,” he said. “It’s called ‘ma.’ Emptiness. It’s there intentionally.” He clapped his hands three or four times. “The time in between my clapping is ‘ma.’ If you just have non-stop action with no breathing space at all, it’s just busyness.”
I think that helps explain why Miyazaki’s films are more absorbing than the frantic action in a lot of American animation. “The people who make the movies are scared of silence” he said, “so they want to paper and plaster it over,” he said. “They’re worried that the audience will get bored. But just because it’s 80 percent intense all the time doesn’t mean the kids are going to bless you with their concentration. What really matters is the underlying emotions—that you never let go of those.
“What my friends and I have been trying to do since the 1970’s is to try and quiet things down a little bit; don’t just bombard them with noise and distraction. And to follow the path of children’s emotions and feelings as we make a film. If you stay true to joy and astonishment and empathy you don’t have to have violence and you don’t have to have action. They’ll follow you. This is our principle.”
He said he has been amused to see a lot of animation in live-action superhero movies. “In a way, live action is becoming part of that whole soup called animation. Animation has become a word that encompasses so much, and my animation is just a little tiny dot over in the corner. It’s plenty for me.”
It’s plenty for me, too.Yes
Yes.
Yes
(via sophiajc)
